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Black Girl on Skateboard Going Where She’s Got to Go to Do What She’s Got to Do and It Might Not Have Anything to Do With You, Ever

The Thankful Poor

Munition Factory

Mickalene Thomas

Portrait of Qusuquzah #5

Native Son (Circus)

Sandra and Tammy, Hollywood Forever

Moving Stillness: Mount Rainier

Nari Ward

Breathing Bars Diagonal Left

I Think It Goes Like This (Gold)

Grandmother Gestating Father and the Washita River Runs Ribbon-Like

In the Heart of the Black Belt

Jaune Quick-to-See-Smith

I See Red: Talking to the Ancestors

Jeffrey Gibson

Migration

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Fritz Scholder

Hollywood Indian

William T. Williams

Walter's Advice

Sanford Biggers

Slow Murder

Lee Bontecou Untitled

Lee Bontecou

Untitled

Jack Levine, “Witches’ Sabbath”, 1963, Oil on Canvas, 96 x 84 in. Art Bridges.

Jack Levine

Witches Sabbath

Archibald John Motley Jr.  Self-Portrait (Myself at Work)

Archibald John Motley Jr.

Self-Portrait (Myself at Work)

Frank Lloyd Wright  Architectural Drawings by Frank Lloyd Wright

Frank Lloyd Wright

Architectural Drawings by Frank Lloyd Wright

Joan Mitchell  Allo, Amelie

Joan Mitchell

Allo, Amelie

Richard Diebenkorn  Cityscape #3

Richard Diebenkorn

Cityscape #3

A jewel-toned nebula of flora and fauna swirls and climbs, enveloping an ancient, twisted tree. Joseph Stella describes the conception of Tree of My Life as an epiphany.

Joseph Stella  Tree of My Life

Joseph Stella

Tree of My Life

Cindy Sherman  Untitled Film Stills

Cindy Sherman

Untitled Film Stills

As a New York-based Mississippi Band of Choctaw and Cherokee artist, Jeffrey Gibson merges aspects of Native American visual culture with allusions to contemporary geometric abstraction. The artist references the colors and patterns of nineteenth century painted rawhide containers, commonly called parfleche, which are associated with particular Native communities in the Plateau, Plains, and Great Basin regions.

By intermingling these designs with a style linked to celebrated, non-Native artists such as Frank Stella and Joseph Albers, Migration contests an American art history that overlooks Native American art.

Jeffrey Gibson  Migration

Malik and Marquis features twin boys whom artist Alfred Conteh met while navigating the city of Atlanta. Part of his ongoing series entitled Two Fronts, the artist records the names and faces of Black Americans living in the Deep South through this large-scale painting.

According to Conteh, his portraits serve as “reminders to everyone who looks at them . . . [of] the reality of Black folks in this country right now.”

Alfred Conteh  Malik and Marquis

Alfred Conteh

Malik and Marquis

Frank Lloyd Wright  Laylight from the B. Harley Bradley House, Kankakee, Illinois

Art BridgesCollection

Art Bridges
Collection