
In 1912, at a young age, artist Peter Blume immigrated to Brooklyn from Russia. He remained in the city for his studies and established a studio by 1926, becoming witness to a transforming urban landscape. From his apartment window, Blume had direct visual access to the Queensboro Bridge, which was completed in 1909. At the time of its opening, it was the longest bridge to exist in the United States. The Queensboro Bridge acted as a representation of American modernity and industrial advancement. Parallel to this rapid urbanization, American artists used muted colors, hard lines, and angular shapes in their artworks, departing from European influences. This style came to be known as Precisionism, defining a distinctly American vocabulary for American experiences.
Peter Blume
30 1/4 x 24 1/4 in.
Art Bridges
1928
Oil on canvas
AB.2025.59
Artist; (Charles Daniel Gallery, New York, NY); purchased by Samuel A. Kootz; to Sidney Janowitz, Buffalo, NY, by 1930; to Mr. and Mrs. Martin Janis, Buffalo, NY, by 1964; to Dr. and Mrs. Carl Hertz, Sherman Oaks, CA; (James Maroney, Inc., New York, NY); purchased by private collectors, 1983; (Christie's, New York, NY); purchased by Art Bridges, 2025