
By the late 1920s, Italian American painter Luigi Lucioni began to shift his artistic attention from portraits to still lifes. Lucioni’s work had a luminous, photorealistic quality, largely influenced by Italian Renaissance and Post-Impressionist artists. Botticelli Print features a recreation of Portrait of Giuliano de’ Medici by Sandro Botticelli, looming over a decanter and pears of various colors. Because the Botticelli portrait was painted after Giuliano de’ Medici was assassinated, Lucioni’s still life can be read as a form of memento mori. Alternatively, Lucioni often incorporated queer coding into his work, and by referencing Botticelli, who many scholars have associated with a queer identity, Lucioni embeds a possible queer homage into the still life.
Luigi Lucioni
22 x 18 in.
Art Bridges
1929
Oil on canvas
AB.2025.60
Artist; to Paul J. Sach, by 1941; to Mr. and Mrs. William Keighley, New York; (Hirschl & Adler Galleries, Inc. New York, NY, 1979); to private collection; (Hirschl & Adler Galleries, Inc., New York, NY); purchased by private collection, 1989; (Christie's, New York, NY); purchased by Art Bridges, 2025