Robert Gober
Untitled
Robert Gober’s Untitled assumes an entirely familiar form that triggers a multi-sensory response. By representing a stick of Breakstone butter, the artist conjures up memories of the food’s texture, aroma, and taste. Gober manipulates these senses with Untitled, leaving the viewer mildly disoriented. Although the object is immediately recognizable, it has no odor, and its glistening beeswax sheen varies slightly from the creamy tactility of actual butter. Significantly, the artist has expanded his representation of butter to roughly the size of a human torso.
The artist’s work often functions with a corporeality that relates to the body, and as Untitled lies unwrapped with its impressionable surface exposed, a commensurate feeling of naked vulnerability is evoked. Because butter can be transformed and clarified, it has associations with spiritual awakening and purity. These notions are echoed in the near-monastic rigor of Gober’s craftsmanship, elevating the familiar object to a profound level.
Robert Gober
9 1/2 in. × 47 3/4 in. × 40 in. (24.1 × 121.3 × 101.6 cm) butter: 9 1/2 × 36 1/2 × 9 3/4 in. (24.1 × 92.7 × 24.8 cm)
Art Bridges
1993-1994
Beeswax, wood, glassine, and felt-tip marker pen ink
AB.2016.4
(Paula Cooper Gallery, New York, NY), 1994; purchased by Private Collection, 1994; to (Christie’s, New York, NY), May 8, 2016, sale 12151, Bound to Fail, lot 18A, purchased by Art Bridges, TX, 2016
With support from Art Bridges, the El Paso Museum of Art (EPMA) borrowed, exhibited, and developed programming for three contemporary works of art: Robert Gober’s Untitled butter sculpture, Jeff Koons’ One Ball Total Equilibrium Tank, and Richard Prince’s Nurse Elsa.
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