Andy Warhol  Coca-Cola [3]

Andy Warhol

Coca-Cola [3]

About

Coca-Cola [3] was considered by Warhol to be the beginning of his Pop Art style. It exhibits, for the first time, Warhol’s defining penchant for rendering iconically American subjects with machine-like precision.

The artist’s choice of a Coca-Cola bottle was perhaps attached to notions of nostalgia or American identity, but the true subject here is the artificial veneer of American advertisement. Warhol has not painted a Coca-Cola bottle, but an image of a Coca-Cola bottle from a newspaper. His subject is not the object itself, but a visual presentation of it that has been manipulated for optimum desirability.

The monumental scale reinforces Warhol’s observation that American advertising has a power that trumps political clout and celebrity.

“You can be watching TV and see Coca-Cola,” the artist said, “and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too ... All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it ... and you know it."

Artist

Andy Warhol

Dimensions

69 3/8 × 54 in. (176.2 × 137.2 cm) Framed: 80 in. × 64 1/2 in. × 2 3/4 in.

Credit Line

Jointly owned by Art Bridges and Crystal Bridges Museum of American Art

Date

1962

Medium

Casein on canvas

Object Number

AB.2018.18

Signed

turning edge: Andy Warhol

Provenance

Andy Warhol Studio, New York, NY; to Samuel Irving Newhouse Jr. [b. 1927], 1986; to Jose Mugrabi [b. 1939], New York, NY, 1995; to (Christie’s, New York, NY), sale 2791, lot 27, November 12, 2013; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2013; to Art Bridges, TX, and Crystal Bridges Museum of American Art, Bentonville, AR, as co-owners, 2018

Availability

    Discover More