Black Refractions: Highlights from the Studio Museum in Harlem
About
Comprised of over one hundred works across all media dating from the 1920s to the present, Black Refractions surveys creative achievements by artists of African descent.
Black Refractions: Highlights from The Studio Museum in Harlem, a collaboration between the American Federation of Arts (AFA) and the Studio Museum in Harlem. Nearly eighty artists in over one hundred works across all media and dating from the 1920s to the present are featured. The exhibition surveys close to a century of creative achievements by artists of African descent and is the first traveling exhibition in twenty-five years to reveal the breadth and expansive growth of the Studio Museum’s permanent collection.
This landmark enterprise explores the vital contributions of artists of African descent, proposing a plurality of narratives of black artistic production and multiple approaches to understanding these works. Such an ambitious, multifaceted project is uniquely possible through the use of the Studio Museum’s collection. Through its pioneering exhibitions, public programs, artist residencies, and bold acquisitions, The Studio Museum in Harlem has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968.
Through its groundbreaking Artist-in-Residence program, the Studio Museum has supported many distinguished artists at decisive stages in their careers. The exhibition includes artworks by renowned alumni of the residency program such as Njideka Akunyili Crosby, Chakaia Booker, David Hammons, Kerry James Marshall, Mickalene Thomas, and Kehinde Wiley. Black Refractions also presents iconic works by artists Elizabeth Catlett, Beauford Delaney, Barkley Hendricks, Jacob Lawrence, Hughie Lee-Smith, Alma Thomas, Bob Thompson, and James VanDerZee, among others.
Lender
American Federation of Arts | AFA
Artwork Gallery
Partner Story
Building Conversation Around Art and Equity
From September 13 through December 8, 2019, the (KIA) presented Black Refractions: Highlights from the Studio Museum in Harlem, a landmark exhibition organized by the American Federation of the Arts featuring nearly 100 works in all media from the 1930s to the present, including works by artists such as Norman Lewis, Wangechi Mutu, and Lorna Simpson. In addition to “Black Refractions,” the KIA staged two concurrent and complimentary exhibitions — deinstalling, for the first time ever, its permanent collection galleries and presenting an exhibition featuring works exclusively by Black and African American artists.
