Winslow Homer
The Shell Heap
The Shell Heap was painted in the last decade of Homer’s life and is among his final group of watercolors. The artist was an avid fisherman, and he spent the early months of 1904 in the Floridian fishing village of Homosassa, where he painted this scene.
Like many of Homer’s paintings, The Shell Heap has undercurrents that address the circle of life. The dense, exotic vegetation is rendered in olive greens, browns, and yellows, suggesting a natural cycle of growth and decay. The fronds of Homer’s palms are blown to the left, combining with a gray sky to conjure ideas of mighty Gulf Coast hurricanes. The extreme arc of a fisherman’s rod creates tension in the opposite direction, illustrating the struggle between man and nature. The dark, ragged shadows of the jungle add to the ominous theme of mortality that defines Homer’s work.
Winslow Homer
19 5/8 × 13 7/8 in. (49.8 × 35.2 cm)
Art Bridges
1904
Watercolor and pencil on paper
AB.2017.11
l.r.: Homer
recto, l.l.: 1904
by bequest to Charles S. Homer Jr. [1834-1917] (Artist’s brother), 1910; to Brooklyn Museum, New York, NY, 1912; (Hirschl & Adler Galleries, New York); purchased by Esther Smith Freeman [1917-2014] and Howard G. Freeman [1918-2015], Worcester, MA, 1978; (Christie’s, New York, NY), sale 14314, lot 30, unsold; purchased after sale by Art Bridges, TX, 2017
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