C. Jane Run is the largest textile produced by Consuelo Jimenez Underwood, an Indigenous woman fiber artist. Through technical skill and powerful subject matter, her work challenges the idea that so-called crafts, such as textiles, are feminine and irrelevant when compared to fine arts like painting and sculpture. The work features a richly interwoven mosaic of safety pins, glass beads, and recycled clothing pinned together and used as the support for a golden colored silkscreen print. This particular image is a visual motif that the artist has incorporated into her work since the early 1990s: a family holding hands and running. The image comes from a traffic sign developed by the California Department of Transportation. It was implemented to alert drivers to migrants running across Interstate 5 in Southern California. The traffic sign has since become an iconic symbol of the immigration crisis along the southern border of the United States. While the traffic sign reduces migrants to a hazard warning, the artist’s use of clothing foregrounds the personal stories of the individuals who flee to the US in search of a better life. The image has personal resonance for Jimenez Underwood, as her father, a Mexican migrant of Huichol descent, was deported several times during her childhood.
Consuelo Jimenez Underwood
120 x 204 in. (304.8 x 518.16 cm)
Art Bridges
2005
Silver and gold pigment, safety pins, and glass beads on recycled clothing
AB.2026.05
Artist; (Ruiz-Healy Art, San Antonio, TX); purchased by Art Bridges, 2026